Thursday, April 10, 2014
Wednesday, March 19, 2014
To Flash or Not to Flash – 5 Flash Photography Tips
Today’s blog will provide you with
several tips on using flash while taking your photographs. Considering that I am still learning the art
of taking photos, the capabilities of the flash was of interest to me. I feel the following tips will help any camera
user understand how to use the camera’s flash whether shooting with a DSLR
camera (with or without an external flash) or if shooting with a small compact
camera or phone. So here are my tips:
#1 – Fill Flash
Fill flash occurs when you tell
your camera that you want to use the flash when there is daylight. So take your flash off the auto setting and
change it to “flash on”. Having the
camera set to auto flash in daylight will keep your flash off because the
camera reads that there is enough light for the picture already.
So if there is enough light, then
why would we want more light? Well this
would be because the extra light will “fill-in” or eliminate the shadows on the
people you are photographing. Shadows
can generally occur if you are taking a photo where the sunlight is behind the subject.
#2 – Night Photography
When you are taking photos at
night, you will want to set your camera setting to either “night portrait” or “slow
sync” depending on the type of camera you have.
This will help coordinate your flash with the shutter in order to get a
good exposure for your photo. It’s
basically going to slow your shutter which will allow for more light in the
exposure.
#3 – Pay Attention to
the Background Area of Your Subject
Prior to taking your photograph
you want to take note of the area behind your subject when using your
flash. This is because the light can
bounce right back towards you and the camera which can cause the flash to be
visible in your photo. I have made this
mistake in the past when shooting a subject in front of a glass window or a
mirror so you will want to avoid any surface areas that can be reflective.
#4 – Diffuse the
Light
Sometimes the flash can be too
bright so it is a good idea to diffuse the light. You can purchase an inexpensive diffuser for
your flash or you can create your own with a simple piece of paper. By covering your flash with either of the two
you will soften the light which should eliminate any excessive brightness in
your photo.
#5 – Bounce the Light
Using this technique you will be
able to lighten a larger area and provide a more subtle light source on your
subject. Try tilting your flash to the
ceiling or maybe even a wall while taking your photograph.
These are just a sample of flash photography
tips. I would love to hear about any
additional tips from you!
Wednesday, March 5, 2014
7 Composition Techniques for Taking Great Photos
Good composition is a significant
factor to taking great photos! So this
week my blog post is about different composition techniques that can help you
create artistic and interesting photographs.
I want to thank my good friend and awesome photographer, Angela Oberly,
for providing me with some wonderful pictures to use for examples in this
weblog. To see more of Angela’s work, please visit her Facebook Fan Page at https://www.facebook.com/AngelaOberlyPhotography. So now let’s talk about the seven composition
techniques for taking great photographs.
#1 – Rule of Thirds
The rule of thirds is based on the theory that
the human eye is drawn to a point about two-thirds up a page or image. It is a
composition technique that should be used in most of your photos. Essentially, you want to envision a grid on
your image that is divided into 9 equal parts by having 2 vertical and 2
horizontal lines. Your focal point or
the most important object of your photo should be positioned along these lines
or at the points where they intersect. This
gives balance and attention to your photo. If
you are shooting a close-up of an individual it is best if you place the
subject’s head along the first horizontal line.
Source: Graphicssoft.about.com
Source: Angela Oberly Photography
#2 –Texture and
Contrast
Texture can be used to create
drama in your photographs. Consider taking a photograph with an old fence or a
textured wall in the background. The key
is to use the texture to enhance your photo and not overload it. Keep away from too many textures that will
make your photo overwhelming. Adding
texture to your photographs will create contrast. For example, a light subject will be more
dramatic if you place them against a dark background.
Source: Angela Oberly Photography
#3 –Patterns
It’s important to become aware of
the patterns that are all around us so that we can take advantage of them in
the photographs we take. A pattern is a
repetitive object or design in your photo such as a field of flowers, crowds of
faces or designs in architecture. The secret to discovering patterns is to try shooting
your photographs from different angles.
#4 –Perspective or
Angles
This one is a favorite of mine. Your feelings for a photograph can change dramatically
by taking the photo from different angles rather than taking the photo straight
on. Some ideas to try are 1) squat down on your subject’s level; 2) Shoot
upwards on your subject in order to create a dominant effect; 3) shoot from a
different angle (left or right) or 4) get up on a chair and shoot downward on your
subject. Shooting the same subject at
different angles can create a different story in your photo.
Source: Angela Oberly Photography
#5 –Framing
There is an assortment of options available for
framing your subjects such as doorways, bushes, tree branches, windows, arches,
etc… There are several benefits to
framing such as it can draw attention to your subject and can also add depth,
interest and layers to your photo. A
frame can also lead the viewer to the main focal point of the photo.
Source: Patrick Studios
Source: Angela Oberly Photography
#6 –Lines
Another composition technique is leading lines
which are lines within an image that will lead your eye to a different part of
the image. There are many objects that
can qualify as a leading line such as a fence, lines in a wall, trees, people,
body position and the list can go on. Keep
in mind that the lines do not need to be straight. Leading line photographs could be a subject
walking down a roadway or it could be a background with lines like the photo
below.
Source:
Patrick Studios
Source: Angela Oberly Photography
#7 –Symmetry &
Balance
The last technique I will discuss is balance and
symmetry. Symmetry for photography is when an image can be split down the
middle and the left and right sides of the photo are mirror images of each
other. However, the rule of thirds
conveys that an image is more appealing if it is asymmetrical. There is no right or wrong but the type of
photograph you decide to take should depend on the story you want to tell.
Source: Angela Oberly Photography
So what is your favorite technique? I would love to hear from you!
Tuesday, March 4, 2014
White Balance 101
So what exactly is white balance and what is it for? Well each DSLR camera has a white balance setting
which is used to make white objects appear “white” in your photographs. When you take your photos, keep in mind that
all light has some color to it. For example, if you are taking pictures in a
gym you may have some halogen bulb lighting which will give off a red/orange
color in your photos. While taking the
photographs you will not notice the red/orange color because our brain adjusts
the colors that we see. So adjusting
your white balance setting will help make the white objects in your photos
appear white.
The color of light (aka temperature) is measured
in degrees Kelvin ranging from 1000 K to over 10,000 K. Below is a chart I found on www.bloglovin.com that will help as a
reference for color temperature and white balance settings.White Balance Options
Your DSLR camera should have 3 options for your white
balance selection. They are 1) Automatic
White Balance, 2) Presets for White Balance and lastly 3) Custom White
Balance. I will explain each option
below.
Automatic White Balance
This setting allows the camera to attempt the correct
temperature of light for your photo.
This option works very well most of the time until you come across a difficult
lighting situation such as a gym with poor lighting or when you want the colors
to be match exactly perfect.
Presets for White Balance
Your camera should have a variety of white balance presets for
you to choose from. These settings will
compensate and make adjustments to your photos.
The presets that I have on my camera which should be similar in most
cameras are:
·
Daylight
– This preset would be used when it is sunny or general daylight conditions.
·
Shade
– This preset should be selected if it is sunny out but you are shooting in the
shade.
·
Cloudy
– This preset should be selected if it’s a rainy day or there is an overcast
·
Tungsten
– This preset works best under photos with a normal light bulb or incandescent
lighting
·
White
Florescent – This preset works best for photos taken under florescent
lighting
·
Flash
– This preset should be used when utilizing the flash
So this is how the presets work - say I am taking a picture outside
in the shade (which will have a blue temperature), I would want to select the
shade preset in order to balance the color.
The camera will then add some warmth to the photo by adding some orange,
red or yellows.
Below are two photos I took. One was with the auto white balance and the
other was set to Shade notice the difference in warmth in the second photo.
Auto White Balance
Shade White Balance
Custom White Balance
If none of your presets or if the automatic
white balance setting does not work well for your photos then you have the
option of custom white balance. I
sometimes use this feature when I am shooting in a gym with terrible
lighting. What I usually do in order to
create my custom white balance is I will take a picture of a white or gray
object in the area I am shooting. Then I
set the image as my custom white balance for my future shots. Each camera may be different so you will need
to consult your manual for directions. Another
option, which I have not used, would be to select your color temperature from
the set of values in your camera. Below
is a YouTube Video from www.mahalo.com on how to select your custom white balance in a Canon DSLR
camera.
The best way to learn about white balance is to take several
photos and for each photo select a different preset so that you can see the
difference of color in the photographs.
Have you experimented with white balance? I would love to hear your thoughts.
Sunday, February 23, 2014
Focusing Tips and Tricks
Focusing correctly to ensure that your subject is sharp is a
very important part to photography. Unfortunately, setting your camera to
auto focus mode does not always give you the best results.
Your DSLR camera will have two focusing options for you to
choose, which are:
Manual Focus
This is when your camera will not focus on its own; the
photographer adjusts the focus ring in order to focus. I do not recommend this
option at first since it takes longer and it entails lots of experience.
Auto Focus
This is when your camera automatically focuses once you
press the shutter release button halfway down.
This option allows you to focus more precisely and quickly. Unfortunately, the auto focus can focus on the
wrong subject. Therefore, it is
important to learn how to adjust your auto focus mode settings which I have
discussed below. With that said, keep in
mind that most focus issues that occur are due to user error. Learning how to master the technique of
focusing can help you take awesome photos.
Auto Focus Mode
Settings
One Shot AF or Single Servo
This focuses on a single spot when you press the shutter
release button halfway down. Keep in
mind that if your subject is moving the focus stop does not move along with the
subject. It will remain in the same spot
so you will need to refocus again. This
mode works very well with subjects that are not moving.
Al Servo AF or Continuous Servo AF or C
The camera focuses on one spot but it will continuously
refocus as the subject moves. This mode
helps you keep subjects that are moving sharp.
I use this option when I am shooting sports.
Auto Focus Mode
Settings – Selecting the AF Point
Another step is how to choose the focusing spot in your
camera’s viewfinder. Each camera can be
different so consult your manual to learn how to select your auto focus points. For the Canon camera you would look for a
grid like symbol on the top of your camera.
Once you select the button, your camera will display 9 focus points. Your options are to select automatic which
will highlight all nine focal points or manual which will allow you to select only
one of the nine focal points.
Source:
LearningDSLR.com
Source: myphotocentral.com
I have included below a table that can help you with
troubleshooting several focus issues.
Problem:
|
Blurry Image
|
Possible Causes:
|
If subject is moving then shutter speed setting may not be fast
enough to freeze the movement
or
If the complete image is blurry it could be camera shake. See my earlier blog about how
to hold your DSLR camera to eliminate this problem. Keep in mind that
really slow shutter speeds will require a tripod.
|
Problem:
|
Focus is on the wrong part of
the photo
|
Possible Causes:
|
Aperture Setting: Check your depth of field aperture setting
you may be shooting too wide (lower aperture number).
Lens: It could be the quality of your
lens. Off-brand lenses will not give
you the best results compared to a brand lens such as Canon and Nikon. You get what you pay for.
Focus Settings & Points: Check your settings they could be off.
|
So what are your focusing tips? I would love to hear them.
Tuesday, February 18, 2014
Getting to Know Your Camera’s Modes
If you have not yet mastered shooting your camera in manual
mode and you are somewhat frustrated with the photos you have taken using your
camera’s automatic mode function, then this week’s blog post will be of
interest to you. Learning how to shoot
in manual mode for me was a bit overwhelming in the beginning, so I began to
learn my camera’s semi-automatic modes first.
This allowed me to take partial control of some of my camera’s settings
while I learned more about the three components of the exposure triangle and
how they related to taking great photos.
The three modes that I will be writing about are Program Mode, Aperture
Priority Mode and Shutter Priority Mode. I have also included several YouTube
videos from butterscotch.com to help you understand each mode below.
To
understand Aperture Priority, a good assignment would be to practice taking a
picture of a non-moving subject while in Aperture Priority Mode. Begin shooting your subject wide open
(largest opening / smallest f-stop number) and go down one f-stop for each shot
to see the difference in the photos. You
will notice that when you are shooting wide open your photos will have some
blur in the background.
To understand shutter speed, a good assignment would be to take photos of a moving subject in the Shutter Priority Mode. Adjust your shutter speed for each photo and begin with a slow shutter speed such as 1/30 and continue until you reach a point that you are able to freeze the action.
Program Mode (P)
The program mode allows you to control the ISO
setting, white balance and flash while the camera will adjust the shutter speed
and aperture settings for you in order to get the correct exposure. This mode is a step up from the automatic
mode. Some people would want to use this
mode rather than automatic if they want to have control over their flash. Another reason you would choose this mode is
to select your own ISO setting.
Sometimes in automatic mode, the camera may choose a higher ISO rather
than a wider aperture or slower shutter speed.
A higher ISO introduces more noise (grain) to your photo so being able
to adjust your ISO will help eliminate the grain.
To understand ISO, a good assignment would be to practice
taking photos in the Program Mode and adjust the ISO setting with each photo
taken to see the difference in lighting and noise.
Aperture Priority
Mode (AV)
This mode allows you to control your aperture setting while
the camera will adjust your ISO and shutter speed settings for you in order to
get the correct exposure. This mode
comes in handy when you want to have control over your depth of field which
will allow you to determine what objects/people should be sharp or blurry and
out of focus. It also allows you to
control the amount of light entering the camera if you are taking photos in a
low lighted area. If I am not shooting sporting
events, I typically shoot in this mode especially if I am shooting portraits.
Below is a photo I took at a photography class where
I shot in Aperture Priority Mode in order to set my aperture f-stop to 2.8 to
create a blurred background.
Shutter Priority Mode
(S or TV)
This mode allows you to choose your shutter
speed while the camera adjusts the ISO and Aperture to get the correct exposure. This mode comes in handy if you are taking
photos at a sporting event and you would like to freeze motion or create blur. It is also a good mode to use when you are
taking night time photos. A fast shutter
speed would be needed to freeze motion and a slow shutter speed will create
blur. One thing to keep in mind is that
a shutter speed below 1/60 would most likely need a tripod in order to
eliminate camera shake. Below is a photo
I took at a photography class I took using the shutter priority mode in order
to freeze the motion of the water.
To understand shutter speed, a good assignment would be to take photos of a moving subject in the Shutter Priority Mode. Adjust your shutter speed for each photo and begin with a slow shutter speed such as 1/30 and continue until you reach a point that you are able to freeze the action.
So what mode do you like to use while shooting? I would love to hear your comments.
Monday, February 10, 2014
An Introduction to Aperture
The last few weeks I wrote about the first two components of the
exposure triangle (ISO and Shutter Speed).
This week I will be writing about the final component - Aperture.
So what is the Aperture’s function?
Well it’s basically the opening inside your lens and its purpose is to
regulate the amount of light that enters your camera’s sensors. Each lens will have a maximum and minimum
aperture that it can open up to. Your
camera lens will indicate your maximum aperture right next to your lenses focal
length (i.e., 55mm f/1.4). If you look
at your lens, you will notice that the minimum aperture is not listed. You would need to find this information out
from your camera’s manual. Aperture is measured in f-stops. Listed below
is a picture of a sample of f-stop sizes from the Wikipedia website.
So do you notice anything funny about the numbers above? Well the one thing that confused me in the
beginning was the correlation between the size of the opening and the f-stop
number. Notice that the largest opening
is indicated by f/1.4 and the smallest opening is an f/8. You would think
that the larger number would equal the larger opening; however, it is the exact
opposite. So important items to note
are:
1.
Smaller number = larger
opening
2.
Larger number = smaller opening
3. In low light situations you would want to use a larger
opening in order to let in more light (i.e., 1.4, 2.8 or 3.5 depending on your
lens)
4.
In highly lit areas such as outdoors you should
be able to shoot with a smaller opening but this could change if you want to be
artistic with your photos which leads me into my next discussion.
Depth of Field
Understanding the depth of
field is a very important because this is how you can control what parts of the
photo should be sharp and what parts of the photo should be out of
focus/blurry. Many photographers adjust
their aperture for depth of field in order to get those nice blurry backgrounds
also known as “bokeh”. Unfortunately,
your camera is not going to be able to know exactly what people to keep in
focus on its own. For example, you may
be taking a group photo and you would like everyone in focus but what if you
are at an amusement park and there are people everywhere. Do you want those people in the background in
focus for your photo? How can the camera
determine that? Well by adjusting your
aperture you can be in control.
Below are some important
things to note about Depth of Field.
1.
The
people/objects located in the depth of field will be sharp
2.
The
people/objects outside of the depth of field will be blurry and out of focus.
3.
The larger the
opening (smaller number) the smaller the depth of field
4.
The smaller the
opening (larger number) the larger the depth of field
In other words, if you want a
blurry background you should use a larger opening/smaller depth of field. If you are taking a family group photo and
want everyone in focus you would use a smaller opening/larger depth of field. So when deciding on your Aperture setting you
need to think about the following:
1. What
people/objects do I want crisp and in focus?
For example, if I were shooting a group shot, I would use an f-stop of
5.6 or higher.
2. Do I want a bokeh
“blurry” background? For example, shooting
a close-up, I would most likely use a 2.8 f/stop. Blurry backgrounds come in handy when you have an unpleasant background such as a parking lot.
Here are some pictures that I
took to display the difference in Apertures.
The following photo was taken with a
smaller aperture (larger number f/5.6) – notice that everything in the photo is
sharp including the photo on the mantle.
The photo below of my sister-n-laws dog was taken in front of her garage, so I used a 2.8
aperture in order to blur the background.
I blurred the background on the group photo in order keep the cars in the parking lot out of focus.
So what’s your
preference? Do you like those blurry
backgrounds or do you prefer all the details?
I would love to hear your
comments.
Subscribe to:
Comments (Atom)

























